The Universal Audio 6176, for the first time, combines their highly acclaimed 610 tube microphone preamp with their legendary 1176LN compressor to create the ultimate single channel signal path for everything from vocals to vibraphones.

Overview:

Advances in digital recording technology are providing users with tremendous power and flexibility for increasingly less money. All too often, however, the audio quality of these systems is limited by their input stages. Many users who demand the power and flexibility of today's recording technology find themselves yearning for the warmth and tone of yesteryear's hand-built analog circuitry. Now with the release of the 6176, Universal Audio, for the first time, combines their highly acclaimed 610 tube microphone preamp with their legendary 1176LN compressor to create the ultimate single channel signal path for everything from vocals to vibraphones. Classic Sound of the Legendary 610 Modular Console Variable Input Gain and Output Levels Ultra Quiet Operation Mic, Balanced Line, and Hi-Z Inputs Multiple Impedance Settings Classic EQ Classic 1176LN Compression Stereo Interconnection via 1176-SA Use Mic Pre & Compressor Seperately ("Split") or in Series ("Join")

Features:

Classic Sound of the Legendary 610 Modular Console Variable Input Gain and Output Levels Ultra Quiet Operation Mic, Balanced Line, and Hi-Z Inputs Multiple Impedance Settings Classic EQ Classic 1176LN Compression Stereo Interconnection via 1176-SA Use Mic Pre & Compressor Seperately ("Split") or in Series ("Join") In "Join" mode, a single input signal is fed through the microphone/instrument preamp and then through the compressor. In "Split" mode, one signal can be fed into and out of the preamp/EQ section while a second can be fed into and out of the compressor section. Advances in digital recording technology are providing users with tremendous power and flexibility for increasingly less money. All too often, however, the audio quality of these systems is limited by their input stages. Many users who demand the power and flexibility of today's recording technology find themselves yearning for the warmth and tone of yesteryear's hand-built analog circuitry. Now with the release of the 6176, Universal Audio, for the first time, combines their highly acclaimed 610 tube microphone preamp with their legendary 1176LN compressor to create the ultimate single channel signal path for everything from vocals to vibraphones. 610B Mic Pre The 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it "hands-down, the most dimensional mic preamp I've ever heard". Peter Wade, engineer/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, "This box rocks." The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch. 1176LN Limiting Amplifier As legendary engineer/producer Andy Johns put it, "The 1176LN is the workhorse compressor." The 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strip units.

Specifications:

CONNECTIONS Preamplifier Section Inputs Microphone (Female XLR) Balanced Line (Female XLR) Unbalanced Line/Instrument (1/4" jack) (D.I.) Outputs Balanced Line (Male XLR) for use in "Split Mode" Compressor Section Input Balanced Line (Female XLR) for use in "Split Mode" Output Balanced Line (Male XLR) CONTROLS Preamplifier Section Input Select Microphone: 500 ohm, 2 kOhm Balanced Line Hi-Z instrument: 47 kOhm, 2.2 MOhm Variable Gain (Input Feedback Control) 5 dB increments @ -10, -5, 0, +5, +10 dB Output Level Control HF Shelf EQ Switchable boost/cut: 1.5, 3, 4.5, 6, 9 dB Corner Frequency Select: 4.5 kHz, 7 kHz, 10 kHz LF Shelf EQ Switchable boost/cut: 1.5, 3, 4.5, 6, 9 dB Corner Frequency Select: 70 Hz, 100 Hz, 200 Hz Other Polarity Reverse Switch 48 Volt Phantom Power Switch Join/Split Switch (for joint or independent compressor/preamplifier operation) Compressor Section Input Gain Output Gain Attack Release Compression Ratio Bypass 1:1 4:1 8:1 12:1 20:1 and "All Button" mode Meter Select Preamp Output Compressor Gain Reduction Compressor Output TECHNICAL SPECIFICATIONS Input Impedance Microphone (selectable) - 500 ohms or 2K ohms Balanced Line – 3.8K ohmsHi-Z (selectable) -2.2 Meg ohms or 47K ohms Vacuum Tubes (1) 12AX7A and (1) 12AT7 per channel Power Requirements 115/230 volts Weight 11.75 lbs. Dimensions 19" Rackmount chassis, 2U

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Manufacturer: Universal Audio
SKU:	UA6176