Top Features :

24-bit/96kHz audio interface with dual mic/instrument preamps balanced/unbalanced analog I/O S/PDIF coaxial; MIDI I/O ¼” headphone output with level control and A/B source switch Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher The Fast Track Pro delivers all the mobile recording flexibility of the Fast Track USB, plus even more professional features. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones, inserts for outboard effects balanced and unbalanced analog outputs, S/PDIF digital I/O, MIDI I/O, and more. Fast Track Pro also features near-zero latency direct hardware monitoring and low-latency ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style cueing. Fast Track Pro is compatible with most popular PC and Mac music software. USB connection and bus power along with class compliancy for Mac OS X* make it a breeze to set up. * Class compliancy supports 16-bit/48kHz 2 x 4 operation on OS X 10.3.9 and higher. Driver installation required to access more I/O. Professional Recording—Anywhere, Anytime Fast Track Pro is designed to let you record with professional results whenever and wherever you want. A single USB connection gives you access to all the I/O you need for microphones and instruments like guitars, as well as MIDI- and S/PDIF-equipped digital audio gear. The microphone inputs are even phantom powered to accommodate the studio-quality condenser microphones like the M-Audio Luna and Solaris. Our time-tested driver software gives you total routing control over the 4 x 4 I/O—including setting up an effects loop with external devices. Ableton Live Lite 5 This special edition of the multi-award winning Ableton Live 5 software lets you experience what the critics have been raving about. Live 5’s revolutionary loop-based paradigm makes production as simple as dragging and dropping audio clips in real time. You can also record linear tracks, add effects, perform live remixes and much more.   Monitoring Galore One of the hallmarks of a great audio interface is its monitoring flexibility—and Fast Track Pro delivers. Fast Track Pro features a powerful headphone amp with volume control. Hardware direct monitoring eliminates the latency or delay inherent in even the best internal circuitry while listening to your input and existing tracks. You can also listen to your input complete with effects while recording by using extremely the low-latency ASIO monitoring we’ve perfected over the years. Two pairs of analog outputs let you connect to a DJ mixer and use the front-panel A/B source switch to audition cues.

Full Features :

Insert jack (¼” TRS) for outboard processors 2 balanced outputs (¼” TRS) 4 unbalanced outputs (RCA) S/PDIF digital I/O with w/ 2-channel PCM S/PDIF out also supports pass-through of AC-3/DTS surround-encoded content 1 x 1 MIDI I/O with activity LEDs headphone output (¼” TRS) with level control headphone A/B source switch for DJ-style cueing input/playback mix control for hardware direct monitoring mono switch for input/playback direct monitoring master output level control near zero-latency hardware direct monitoring low-latency ASIO software monitoring USB connection to computer powered via USB or optional AC power adapter Kensington lock port Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher includes Ableton Live Lite music production software so you can make music right away * 16-bit/48kHz 2 x 4 operation is class-compliant. Driver installation required to access more I/O.

Specifications:

Digital Audio Interface Specifications 48kHz sampling rate unless otherwise stated Mic Inputs (A/D) Input Impedance 2.7k Ohms unbalanced, 5.4k Ohms balanced Maximum Input Level from +24dBu @ min gain, pad on to -40dBu @ max gain, no pad Channel-to-Channel Crosstalk < -110dB SNR -101dB, A-weighted Dynamic Range 101dB, A-weighted THD+N 0.005% (-86dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB Pre-amp Gain >40dB Pad -20dB pad Instrument Inputs (A/D) Input Impedance >220k Ohm, unbalanced Maximum Input Level From +22dBV @ min gain, pad on to -42dBV @ max gain no pad SNR -100dB, A-weighted Dynamic Range 100dB, A-weighted THD+N 0.005% (-86dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB @ 48kHz sample rate Pre-amp Gain >40dB Pad -20dB pad Line Inputs (A/D) Input Impedance 20k Ohms balanced and unbalanced Maximum Input Level +4.1dBu balanced, +1.9dBV unbalanced Channel-to-Channel Crosstalk < -110dB SNR -101dB, A-weighted Dynamic Range 101dB, A-weighted THD+N 0.005% (-86dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB @ 48kHz sample rate 20Hz to 40kHz, +/- 0.1dB @ 96kHz sample rate Pad -20dB pad Input Inserts (analog) Maximum Level Send +6dBV, unbalanced Maximum Level Return +6dBV, unbalanced THD+N 0.00281% (-91dB) @ -1dB from max level, 1kHz Frequency Response 20Hz to 40kHz, +/- 0.1dB Line Outputs (D/A) Output Impedance 150 Ohms unbalanced, 300 Ohms balanced Maximum Output Level +1.8dBV, unbalanced +10.1dBu, balanced Channel-to-Channel Crosstalk < -108dB SNR -103dB, A-weighted Dynamic Range 103dB, A-weighted THD+N 0.005% (-86dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.3dB @ 48kHz sample rate Headphone Output (D/A) Maximum Output -2.5dBV at THD < 0.05% into 32 ohms Working Range 32 to 600 ohms   I/O Bit Depth Sample Rate (kHz) With Drivers 4 x 4 16 44.1/48   2 x 4 24 44.1/48   2-in OR 2-out 24 88.2/96 Class compliant 2x4 16 44.1/48

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