Top Features :

High-speed USB 2.0 interface > simultaneous 8 x 8 24-bit/96kHz audio MX Core™ DSP technology > flexible channel routing, monitor sub-mixing and effects processing 4 preamps with award-winning M-Audio Octane™ technology > premium input circuitry compatible with Mac and PC > works with most audio production software* The Fast Track® Ultra 8 x 8 audio/MIDI interface takes M-Audio’s acclaimed mobile recording line to the next level with high-speed USB 2.0 connectivity, MX Core™ DSP mixer and four preamps with award-winning Octane™ technology. Featuring both analog and digital I/O, it allows recording on all eight channels simultaneously with pristine 24-bit/96kHz fidelity—while M-Audio’s mature low-latency drivers ensure rock-solid stability and performance. The on-board MX Core™ DSP mixer processes eight hardware inputs and eight software returns to the eight hardware outputs, delivering flexible routing and monitoring with delay and reverb. Compatible with most major audio software*, Fast Track Ultra lets you record the way you want—in the studio or on the go. *Compatible with all ASIO- and Core Audio-based applications. High-speed USB 2.0 Technology The next generation of mobile recording interfaces has arrived—the Fast Track Ultra features high-speed USB 2.0 technology for advanced performance. Like FireWire, USB 2.0 delivers the bandwidth for 24-bit/96kHz audio resolution throughout the recording and monitoring process. The increased data speed lets you enjoy exceptional fidelity on all of your inputs and outputs simultaneously. Speed Comparisons in Mbps Connection Maximum Speed USB 1.1 12Mbps USB 2.0 480Mbps FireWire 400 400Mbps Built-in Effects Processing Tired of tracking vocals and instruments dry? Fast Track Ultra features MX Core DSP technology that gives you reverb and delay on the headphone outputs with separate sends for every channel. Adding effects is an easy way to inspire creativity and infuse a performance with new energy—without taxing your CPU resources. Make the Connection Fast Track Ultra provides a complete recording solution, with six channels of analog inputs and outputs plus 2-channel digital S/PDIF I/O. Unlike most USB interfaces, it features two dedicated inserts on the first two channels, giving you the ability to insert outboard processing before A/D conversion. Easy connection via a single USB 2.0 cable delivers both audio and MIDI communication with your computer. Compatibility with most major audio software, means seamless integration into any studio setup. MX Core DSP Technology for Sophisticated Channel Routing The Fast Track Ultra makes it easy to create multiple monitor mixes when recording other musicians. The robust MX Core™ mixer employs an array of eight individual DSP cores to deliver near-zero latency and a matrix for sophisticated channel routing options—accessible via an intuitive control panel that utilizes a separate mixer for each pair of outputs. The mixer expands the total I/O to an impressive 16 x 8 configuration, allowing you to connect synths and outboard gear to any of the interface’s hardware inputs, then mix them with the eight audio streams coming from your computer.   Professional Octane Preamp Technology The quality of your recordings is only as good as the initial signal. The Fast Track Ultra features four preamps with multi-award-winning M-Audio Octane™ technology, creating a premium front end that delivers amazing audio clarity. You get professional, low-noise, high-gain preamplification with enough channels for a variety of miking applications. Features include +48V phantom power for condenser mics, signal/peak LED indicator lights and a pull-out gain knob that activates a 20dB pad for recording at high volumes. Dual Headphone Amp Whether you usually track vocals or an ensemble, you’re likely to need multiple headphone mixes. Fast Track Ultra has two completely independent headphone outputs so you can take advantage of the DSP mixer’s powerful routing options and create the right mix for your performers—complete with reverb and delay. The Perfect Combination Apple's latest MacBook and MacBook Air laptops don't include FireWire connectivity—the latest models are all about USB 2.0. If you want to make music with a MacBook, the Fast Track Ultra high-speed USB 2.0 interface delivers the perfect solution. Whether you’re a musician, producer or DJ, the powerful combination of Apple and M-Audio gives you everything you need to put together a high-powered personal studio.

Full Features :

24-bit/96kHz professional audio on all I/O simultaneously high-speed USB 2.0 interface MX Core™ DSP technology digital effects processing with assignable parameters flexible channel routing options expands DSP mixing interface to 16 x 8 4 preamps with award-winning M-Audio Octane™ technology 4 XLR microphone inputs—including 2 XLR/TRS combo jacks for mic or instrument level inputs 20dB pad on each preamp signal/peak LED indicator lights phantom power 6 balanced line inputs 6 balanced analog outputs 2 analog inserts S/PDIF digital I/O built-in 1 x 1 MIDI interface 2 independent headphone outputs with individual volume controls full ASIO 2.0, WDM, MME, and Core Audio support compatible with most major audio production software* USB bus power** *Compatible with all ASIO- and Core Audio-based applications. **USB bus power enables analog channels 1 and 2, S/PDIF I/O, and headphone output 1; included power supply required for full 8 x 8 operation.

Specifications:

All specs measured at 48kHz sampling rate unless otherwise stated Mic Inputs (A/D) Input Impedance 1.7k ohms unbalanced, 3.4k ohms balanced Maximum Input Level from +21dBu @ min gain (with pad) to -50dBu @ max gain (no pad) Channel-to-Channel Crosstalk < -110dB SNR (min gain, no pad) -103dB, A-weighted Dynamic Range (min gain, no pad) 103dB, A-weighted THD+N (min gain, no pad) 0.002% (-94dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB Preamp Gain > 60dB Pad -20dB Instrument Inputs (A/D) Input Impedance 1M ohm, unbalanced Maximum Input Level from +14dBV @ min gain (no pad) to -40dBV @ max gain (no pad) SNR (min gain, no pad) -103dB, A-weighted Dynamic Range (min gain, no pad) 103dB, A-weighted THD+N (min gain, no pad) 0.005% (-86dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB @ 48kHz sample rate Preamp Gain >45dB Pad -20dB Line Inputs (A/D) Input Impedance 28k ohm balanced / 20k ohm unbalanced Maximum Input Level +3.4dBu, balanced/+1.2dBV, unbalanced Channel-to-Channel Crosstalk < -110dB SNR -103dB, A-weighted Dynamic Range 103dB, A-weighted THD+N 0.002% (-94dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB Input Inserts (analog) Maximum Level Send +6dBV, unbalanced Maximum Level Return +6dBV, unbalanced THD+N 0.002% (-94dB) @ -1dB from max level, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB Line Outputs (D/A) Output Impedance 150 ohms, unbalanced / 300 ohms, balanced Maximum Output Level +10dBu, balanced +1.8dBV, unbalanced Channel-to-Channel Crosstalk < -100dB SNR -104 dB, A-weighted Dynamic Range 104dB, A-weighted THD+N 0.002% (-94dB) @ -1dBFS, 1kHz Frequency Response 20Hz to 20kHz, +/- 0.1dB Headphone Output (D/A) Maximum Output 0dBV at THD < 0.05% into 32 ohms Channel-to-Channel Crosstalk < -55dB Frequency Response 20Hz to 20kHz, +/- 0.7dB Working Range 24 to 600 ohms

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